Cracking the Code: 10 Screenplay Writing Format Tips Every Screenwriter Should Know

Part 1: Character Introductions

by Noi Sabal • April 8, 2023

Creaking the Code: 10 Screenplay Writing Format Tips Every Screenwriter Should Know (part 1: Character Introductions)

This “Cracking the Code” series is not just a big ole list of tips about screenplay writing format or screenplay templates. Nope. It’s waaay more than that. This is an easy-to-follow checklist that will make you look like a professional screenwriter from the very first glance.

Of course, first you need to know what is considered correct screenplay writing format. This is an easy one! There are SO many screenwriting apps, online services, and screenplay templates out there that can help you with all the necessary formatting elements like: sluglines (scene headings), character names & dialogue, margins, font & size, etc. Using any number of screenwriting software services or apps, and you’ll have a properly formatted script.

Follow these tips and you’re lowering any red flags that might make Readers put your script down and move on to the next. Okay – let’s get down to business and see how to let your PRO flag fly!

SCREENPLAY WRITING FORMAT CHEATSHEET — PART 1: Character Introductions
10 Tips to Make You Look Like a Pro

Character Introductions
Here are some easy tips to make you look like a pro when writing an introductory Character Description.

Screenplay Writing Format Tip #1:
Get Descriptive

When you add any character to your story, you first need to introduce them, right? (Otherwise, a Reader won’t know who — or what! — is speaking!) But a Character Introduction is more than just their boring old name (“Beth”) and age (25).

Great character intros describe who a character is as a person and physically. Creative descriptions are an (often underused!) opportunity to give the Reader a cheat sheet into who this character is. But writing a pithy, descriptive introduction can be a challenge, so we made this post! Follow these tricks to create a fantastic character introduction:


Screenplay Writing Format Tip #2:
Break the Rules

The first rule of screenwriting is: You don’t write what you can’t see. The second rule of screenwriting is… there is one place you can break this rule. And this is it! Yay!

Writing a Character Intro lets you describe something you don’t see. This is the only place — in your whole script!! — where you do NOT have to use the cardinal rule of screenplay techniques: the “Show, Don’t Tell” Rule. And with so many rules/guidelines/requirements in screenwriting, it’s a relief to know there’s more creative latitude here. So make the most of your Character Introduction by writing descriptions using the tips below.


Screenplay Writing Format Tip #3:
Get Creative

Sure, a character description has to, well… describe a character. But in screenplays, it can be more effective to go beyond describing their literal appearance. Focus instead on highlighting unique traits and characteristics that will help your Reader differentiate this character from others. Give them a glimpse at who this character is so they start to understand this character’s role in the story. Try to convey who they are by creatively combining A) WHY this character is unique (personality) with B) WHAT they look like (physical appearance). This is your chance to hook your Reader! So give ’em someone memorable… a character they NEED to continue reading about.


Screenplay Writing Format Tip #4:
Keep ’em Short-n-Sweet

Character introductions should be clear and concise — but still creative! It’s important to avoid long, detailed descriptions of how they look or what they wear.

Steer clear of using too many lines for your Character Descriptions. While there are no hard-n-fast rules, generally, one full line of description should be enough. Of course, you can get away with two lines of description for major characters, but more than that is kinda pushing it into amateur-land.

Instead of writing a lot, take some time with Intros to hone it until who they are at their core comes into focus.


Screenplay Writing Format Tip #5:
Character Are Not What They Wear

Unless clothing is part of the plot, use descriptions of Clothing in introductions sparingly. For example, telling us that they’re wearing faded jeans, a rumpled polo, and a pair of stiletto heels may paint a picture — but an individual’s interpretation of that picture mean different things. (Besides, that’s for Wardrobe to decide after you go into production!). So, generally avoid clothing in intros, especially if you never revisit those details.

And! Simply detailing what a character is wearing when we meet them wastes your opportunity to talk about things not on screen (see Tip 1). So don’t try to do Wardrobe’s job… Instead, embrace the joy and freedom of being the screenwriter and use it to allude to something about their personality.


Screenplay Writing Format Tip #6:
Limit Physical Traits

Just like with Clothing, you should limit describing a character’s physical traits unless it is essential to your plot. Don’t waste the lovely opportunity of being able to describe non-visual things in Character Intros by just detailing what they look like.

Even if you “see” this character a specific way, chances are your script is better served if you convey the essence of who they are without physically describing them. Why? Let’s say someone writes a “tall and gangly” character with “piercing blue eyes.” But what if a short A-list actor with brown eyes wants to play this role? Um, it’s gonna get changed faster than you can say “Rewrite.” Things always change when you get to preproduction. So write HOW an actor can play the role, rather than what the actor should look like.


Screenplay Writing Format Tip #7:
Write Your Intros Last

Char Intros should give you a really quick glimpse of who this character is at their core. So if you don’t plan before you write, you may not have a real sense of who they are when you write their description.

So don’t sweat your Intro Descriptions when writing your first draft. Just slug in something for yourself and go back when you rewrite. Then you’ll have a much better sense of the character and can use this list to develop a fantastic Character Introduction.


Screenplay Writing Format Tip #8:
Description Structure #1: Name

And finally, let’s address the literal script writing structure of a Character Introduction. Generally, a Character Intro is a single line that includes 3 elements:

The first time you write someone into your script, the character’s name should be ALL CAPS. If this character has a speaking role in several scenes (say, 3 or more), you should use a proper name (ie: “BETH” or “BETH SMITH”). If this is a minor character with just a few lines, you can use a descriptive name (ie: “PLAYER 1” or “BASKETBALL PLAYER”).


Screenplay Writing Format Tip #9:
Structure #2: Age

Follow the character NAME with their age. Generally, you can use an age range (ie: “early 20s” or “mid-60s”). But sometimes, if your character’s exact age is essential to the plot, you can use a specific age (ie: “32” or “54”). For example, when a character hits a milestone birthday (ie: in the movie “This is 40”) or your story chronicling a real person’s life events, you could introduce their specific age.

You can also spell out the age if you like (ie: “a 26-year-old”). Ages should be put within parentheses or between commas, ie: “BETH, mid-20s”, “BETH, a 26-year-old woman”, or “BETH (mid-20s)”. Any of the 3 formats is acceptable — just pick one and use the same format throughout your entire script.


Screenplay Writing Format Tip #10:
Structure #3: Description

The third element of your single line Character Intro is the creative description

This is your chance to shine! Finish your single-sentence Character Introduction with a creative summary of your character. Use the tips above and try to capture who this character is at their core. Want some examples? We came up with some examples of creative character descriptions, followed by the more straightforward (boring!) version after it:

CREATIVE DESCRIPTIONS
  1. “CHARLIE, 30s, has one of those faces that seems designed to look shifty.”
  2. “SARA, mid-20s, a wiry, intense woman — a devil in a denim jacket. “
  3. “JIMMY (20s) is built like a thoroughbred, with a face carved from marble.”
  4. “an aging, dopey, good-hearted lawman”
  5. “the kind of dude who would drink your last beer — but you’d laugh about it”
  6. “a barrel-chested man with a wily, mischievous look in his eye”
  7. “a pinched face, with the air of a bird of prey”
  8. “rolls down the hallway like a 1960s cartoon character”
  9. “a waif-like ballerina with an ethereal quality”
  10. “a messy pile of a girl allergic to fashion”
THE BORING VERSIONS
  1. “CHARLIE, 30s, is a mean man with squinty eyes and a slit for a mouth.”
  2. “SARA, mid-20s, is a thin girl who likes to wear trendy clothes and is always getting in trouble.”
  3. “JIMMY (20s) is a muscular, good looking guy who makes women drool”
  4. “a 68-year-old Sheriff”
  5. “a playful young man who can be mean… but can get you to do what he wants too”
  6. “a short, fat man with small, dark sparkling eyes”
  7. “thin, with a sharp nose and scar on his chin”
  8. “a matronly woman happily walks down the hall”
  9. “a pretty yet anorexic teenager”
  10. “dressed in rumpled, mismatched, out-of-date clothes”

So now that you know some best practices for screenplay writing format — let’s throw them all out! As long as you have a NAME (in all caps) and an AGE, that’s a character intro. What you choose to do with it beyond that… we’ll that’s up to you.

Character Intro Structure

NAME (age) description
NAME, age, description

That’s the conundrum of being a screenwriter: there are rules — but (most of them) can be broken. Once you know them you can stretch them… mold them… make them bend to your creative will.

Character Introductions are one of those places where you can get creative. Just take a look at these examples from produced screenplays:

UNIQUE PRO EXAMPLES

  • Among them are JEZ, a shy, sweet guy who is clearly dying to leave, and PAUL, a sweaty Alpha-bro whose super- fragile masculinity is always one rejection away from shattering to pieces. from the script for Promising Young Woman (2020) written by Emerald Fennell
  • Title card – Martin Maddox. Hard Copy Reporter 1989-1998.
    MARTIN MADDOX, oily personified, relishes being on camera. from the script for I Tonya (2017) written by Steven Rogers
  • SHAWN ECKARDT, obese and delusional. Not a good combination. from the script for I Tonya (2017) written by Steven Rogers
  • MARCUS HAMILTON, two weeks shy of 70, thick silver mustache from the script for Hell or High Water (2016) written by Taylor Sheridan
  • A younger Ranger, and by younger I mean 50, walks in. His name is ALBERTO PARKER, and aside from his olive skin, he looks almost identical to Marcus: thick mustache, beer belly, gold star on a starched white shirt, bone colored Stetson hat. from the script for Hell or High Water (2016) written by Taylor Sheridan
  • Jojo turns around, it is none other than his fantasy friend, ADOLF HITLER. from the script for JoJo Rabbit (2019) written by Christine LeunensTaika Waititi

Okay, phew! That’s a lot of tips about just ONE LINE in your script, huh? But we promised to go beyond screenplay template or script writing structure tips… and we did! So we hope you found some of these in-depth tips on screenplay writing format useful. Now, go forth and use ’em to create riveting — and well-formatted! — character introductions.

And before you start putting this tips to work, how ’bout a little inspiration? Check out this video from Variety, where Janet Mock, writer of Ryan Murphy’s “Hollywood” and “Pose,” shares tips for how she writes a script. Enjoy!

Want more tips on screenplay writing? Check out our Ninja Blog for more screenwriting tips!

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